In Andrew Goodwin's theory he is explaining the structure of a music video. Goodwin believes pp videos approach narrative from a different angle to novels and films. Goodwin feels the reasons for the narrative for the different narrative structures are because:
- Pop videos are built around songs- and often songs do not pose traditional narrative structures (normality- problem- resolution), perhaps this is partly because all songs do not necessarily include a story in the lyrics that require a the video to have a structure similar to the of a novel or film. For instance songs that belong to a genre like Hip Hop, may not have a clear meaning, thus the video won't have a traditional narrative structure.
- The pop video uses the singer both as a narrator and as a character. This would then mean a pop video would not really follow a traditional narrative structure, because the singer plays all the parts, there is no third person structure.
- The singer often looks directly at the camera- this is an extension of (music-hall) performance and trying to involve the viewer at home with the performance.
Goodwin concludes, "it can be said that there are three types of relations between songs and videos: Illustration, amplification and disjuncture."
- Illustration: This is where the video tells the story of the lyric. Dance is often used to express the feelings/moods in the song.
- Amplification: Occurs when the video introduce new meanings that do not contradict with the lyric but add layers of meanings.
- Disjuncture: This is where there is little connection between the lyric and video or where the video contradicts the lyric. Micheal Jackson's Man In The Mirror. The song is about self- relisation but the video is about radical world events.